It's something my colorist friends (mostly Mac folk of course) are always yelling about. And that is the problem here.ĬolorSync does not apply the second part of the two required transforms, the display transform, and it applies an odd 1.96 gamma instead of the expected 2.4/2.2.Between the two issues, the shadows are lighter and there is an appearance of less saturation.Īnd sadly, there ain't no real fix so a file looks the same whether displayed on a Rec.709 compliant system or a Mac/ColorSync system. However the Mac ColorSync color management utility is not. Premiere Pro is built to be bog-standard Rec.709. Most video is by the standards long set, in the Rec.709 color standard. If I click on "about premiere pro" it says Version 15.4.1 (Build 6), Adobe Premiere Pro v15.0 (and my finder level doc says Adobe Premiere Pro 2021).If my export doesn't match my timeline, which colors are the client seeing? Are they seeing the colors that I see on my timeline when they watch the vimeo link? Or are they seeing the desaturated colors that I'm seeing on my mp4? More importantly, how do I fix this? I asked some friends about it and they think its an issue with Mac because they said when they export something from their timelines on a PC, the colors in their export don't deviate from the timeline. This issue is occuring with another client's footage as well. I'm not just seeing this issue with this one client and this one file/footage/camera type. I upload that mp4 to dropbox and vimeo and the colors still look bad. Then I take the file and bring it into Adobe Encoder and choose the vimeo 1080 preset which pops out an mp4 for me. It is slightly desatured and doesn't match the timeline: When I open the MOV in quicktime player, this is how the colors look. I have not changed any of the export specs. I have graded c300 mk3 MXF footage on my timeline and exported it as ProRes422.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |